Pesquisando por: "JOSEPH MALLORD WILLIAM TURNER" - Fotoarena - Agência de fotojornalismo

42599023 Joseph Mallord William Turner, R.A. (1775?1851)Depositing of John Bellini?s Three Pictures in La Chiesa Redentore, Venice oil on canvas 29 x 45½ in. (73.7 x 115.6 cm.) Painted in 1841 Estimate: $28,000,000-35,000,000 hanging on the wall at Visionary: The Paul G. Allen Collection presented at Christie?s New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. All proceeds will go to philanthropy. Photo Credit: TJ Roth/ Sipa USA/ Fotoarena

42457936 National gallery staff members view British artist Joseph Mallord William Turner's (also known as William Turner) 'Cologne, the Arrival of a Packet-Boat: Evening, exhibited 1826' painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457939 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) Harbour of Dieppe: Changement de Domicile painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457929 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) Harbour of Dieppe: Changement de Domicile painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457933 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) Harbour of Dieppe: Changement de Domicile and Cologne, the Arrival of a Packet-Boat: Evening paintings on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457932 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) 'Cologne, the Arrival of a Packet-Boat: Evening, exhibited 1826' painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457937 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) 'Cologne, the Arrival of a Packet-Boat: Evening, exhibited 1826' painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457931 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) 'Cologne, the Arrival of a Packet-Boat: Evening, exhibited 1826' painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457934 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) Harbour of Dieppe: Changement de Domicile and Cologne, the Arrival of a Packet-Boat: Evening paintings on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457935 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) Harbour of Dieppe: Changement de Domicile painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457930 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) Harbour of Dieppe: Changement de Domicile and Cologne, the Arrival of a Packet-Boat: Evening paintings on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

42457940 A National gallery staff member views British artist Joseph Mallord William Turner's (also known as William Turner) Harbour of Dieppe: Changement de Domicile painting on display at the National Gallery in central London. The Turner on Tour exhibition will take place at the National Gallery from 3 November 2022 to 19 February 2023. Photo Credit: Steve Taylor / SOPA Images/ Sipa / Fotoarena

1035_06_706035 Dramatic Seascape, Turner, Joseph Mallord William

902_05_12288339HighRes Joseph Mallord William Turner, 1775?1851. English Romantic landscape painter, watercolourist and printmaker. From Bibby's Annual published 1910.

902_05_12310467HighRes J.M.W. Turner. Joseph Mallord William Turner, 1775 - 1851. English Romanticist landscape painter. From The Century Edition of Cassell's History of England, published c. 1900

908_06_LR5002179 Quillebeuf, mouth of the Seine

908_06_LR5002178 The fighting Temeraire

alb5082715 The Acropolis of Athens, John Cousen, 18041880, British, after Joseph Mallord William Turner, 17751851, British, 1832-1834, Line engraving, engraver's proof on moderately thick, slightly textured, beige, wove paper, with gray, chine colle, Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm), Plate: 7 3/16 × 9 13/16 inches (18.3 × 24.9 cm), Chine collé: 6 13/16 × 9 3/8 inches (17.3 × 23.8 cm), and Image: 3 11/16 × 5 1/2 inches (9.4 × 14 cm).

alb5104533 Gate of Theseus, Athens, Edward Francis Finden, 17911857, British, after Joseph Mallord William Turner, 17751851, British, 1832-1834, Line engraving, engraver's proof on thick, slightly textured, cream, wove paper, with gray chine colle, Sheet: 17 3/16 × 11 7/8 inches (43.7 × 30.2 cm), Plate: 9 1/4 × 6 7/8 inches (23.5 × 17.5 cm), Chine collé: 8 7/8 × 6 5/8 inches (22.5 × 16.8 cm), and Image: 4 1/4 × 3 1/4 inches (10.8 × 8.3 cm).

alb5100420 The Acropolis of Athens, John Cousen, 18041880, British, after Joseph Mallord William Turner, 17751851, British, 1832-1834, Etching, line engraving, and grraphite, with scraping (Engraver's Proof a) on moderately thick, slightly textured cream, wove paper, with gray, chine colle, mounted on,thick, smooth, cream, wove paper, Mount: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm), Sheet: 10 9/16 × 14 5/16 inches (26.8 × 36.4 cm), Plate: 8 7/8 × 10 15/16 inches (22.5 × 27.8 cm), Chine collé: 8 5/8 × 10 9/16 inches (21.9 × 26.8 cm), and Image: 3 15/16 × 5 1/2 inches (10 × 14 cm).

alb4152883 An April Shower: A View from Binsey Ferry Near Oxford, Looking Towards Port Meadow and Godstow. William Turner; English, 1789-1862. Date: 1842. Dimensions: 455 x 685 mm. Watercolor over graphite, with scraping, on cream wove paper. Origin: United Kingdom. Museum: The Chicago Art Institute, Chicago, USA. Author: William Turner.

alb4234952 The Acropolis from the Pnyx, Athens, Greece. Joseph Mallord William Turner (British, 1775-1851). Brown wash and white heightening on gray paper; sheet: 26.5 x 36.5 cm (10 7/16 x 14 3/8 in.).

alb5099793 Ashestiel, Print made by John Horsburgh, 17911869, British, after Joseph Mallord William Turner, 17751851, British, 1834, Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

alb3889154 Gloucester Cathedral. Date/Period: Ca. 1795. Painting. Watercolor. Height: 264 mm (10.39 in); Width: 305 mm (12 in). Author: UNKNOWN ARTIST.

akg8931695 Joseph Mallord William Turner. Procris and Cephalus, 1812. Etching, printed in brown ink First published state on medium, slightly textured, cream wove paper, 18.7 × 26.4 cm. Inv. No. B1977.14.8152. New Haven, Yale Center for British Art.

akg6532177 attributed to: Ambrose Poynter (1796-1886) or to William Turner (1775-1851). "Street Scene in Northern France", c. 1840. Watercolour, heightened with white gouache on cream vellum, 18 × 23 cm. Inv. No. 1968.86, Chicago, Art Institute.

akg329492 Turner, Joseph Mallord William. 1775-1851. "Hastings: Fish Market on the Sands, Early Morning", 1824. Watercolour over pencil heightened with bodycolour & scratching out on wove paper, 44.5 × 66cm. London, Sotheby's. Lot 178, 10/04/97.

akg1014000 Shorehamby-Sea (West Sussex, England).-"Shoreham".-Gemälde, 1832, von William Turner (1775-1851). Museum: Museum Art Galleries., BLACKBURN.

akg1134684 Turner, William; 1775-1851. "Returning from the Ball (St. Martha)" (Rückkehr vom Ball (Santa Marta)), 1846. Öl auf Leinwand, 61,6 x 92,4 cm. Der Nation als Vermächtnis des Künstlers zugesprochen, 1856. Museum: Tate Gallery., LONDON.

alb3907735 Raby Castle, Wohnsitz des Earl of Darlington. Date/Period: 1818. Painting. Oil on canvas. Height: 119 cm (46.8 in); Width: 180.6 cm (71.1 in). Author: J. M. W. Turner.

alb3625056 Saltash with the Water Ferry, Cornwall. Artist: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: 35 3/8 x 47 1/2 in. (89.9 x 120.7 cm). Date: 1811.This picture is a product of Turner's journey to the west of England in summer 1811 and was exhibited at the artist's private gallery in 1812. Saltash is in Cornwall, across the Tamar River from Devonport and Plymouth. Ruskin described the painting in a letter of 1852 as "what the mind sees when it looks for poetry in humble actual life." The sky is damaged, but the lower half of the painting is well preserved. Museum: Metropolitan Museum of Art, New York, USA.

alb3645663 Grand Canal, Venice. Artist: Anonymous, 20th century; After Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: sheet: 4 3/4 x 7 7/8 in. (12.1 x 20 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3666810 Whalers. Artist: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: 36 1/8 x 48 1/4 in. (91.8 x 122.6 cm). Date: ca. 1845.Turner was seventy years old when Whalers debuted to mixed reviews at the Royal Academy exhibition of 1845. Its subject proved elusive, as the English novelist William Thackeray observed: "That is not a smear of purple you see yonder, but a beautiful whale, whose tail has just slapped a half-dozen whale-boats into perdition; and as for what you fancied to be a few zig-zag lines spattered on the canvas at hap-hazard, look! they turn out to be a ship with all her sails." Apparently Turner undertook the painting--which was returned to him--for the collector Elhanan Bicknell, who had made his fortune in the whale-oil business. Museum: Metropolitan Museum of Art, New York, USA.

alb3511459 Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum), 181323, Etching and mezzotint; engraver's proof b (Finberg), plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 17751851 London), Intended as part of Turner's 'Liber Studiorum' (Latin for Book of Studies), but never published by the artist, this engraver's proof was made as Say added mezzotint to develop tone under Turner's direction.

akg202623 Turner, William. 1775-1851. "Spithead: Boat's Crew recovering an Anchor" (Spithead: Die Crew lichtet den Anker), 1808. Öl auf Leinwand, 171,4 × 233,7 cm. London, Tate Britain. Museum: London, Tate Britain.

akg243702 Turner, William 1775-1851. "Venice: Going to the Ball (San Martino) ", 1846. Oil on canvas, 616 × 924 mm. Inv. No. 544. London, Tate Britain. Museum: London, Tate Britain.

les39170119 Battle of Trafalgar, 21 October 1805 Canvas; 2615 x 3685 mm. Author: JOSEPH MALLORD WILLIAM TURNER. Location: National Maritime Museum, Greenwich, Great Britain.

les39170125 Plymouth, Devonshire circa 1830 Watercolour on paper; 286 x 412 mm. Author: JOSEPH MALLORD WILLIAM TURNER. Location: Victoria and Albert Museum, London, Great Britain.

alb3727717 Chain of Alps from Grenoble to Chamberi. Dated: published 1812. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and William Say.

akg3091786 Napoleon I. Bonaparte, Kaiser der Franzosen, 1769-1821. - "War. The exile and the Rock Limpet". (Krieg - Das Exil und die Napfschnecke). - (Napoleon im Exil auf St. Helena). Gemälde, 1842, von William Turner. (1775-1851). Öl auf leinwand, 79,4 x 79,4 cm. London, Tate Britain. Museum: London, Tate Britain.

akg386020 Turner, William 1775-1851. "Étude de Watteau selon les principes de Du Fresnoy", 1831. Huile sur bois, 40 × 69,5 cm. London, Tate Britain. Museum: London, Tate Britain.

alb3907819 Venice - The Dogana and San Giorgio Maggiore. Date/Period: 1834. Painting. Oil on canvas. Height: 91.5 cm (36 in); Width: 122 cm (48 in). Author: J. M. W. Turner.

alb3728684 Venice: The Dogana and San Giorgio Maggiore. Dated: 1834. Dimensions: overall: 91.5 x 122 cm (36 x 48 1/16 in.) framed: 125.7 x 156.5 x 14 cm (49 1/2 x 61 5/8 x 5 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JOSEPH MALLORD WILLIAM TURNER.

akg3920639 Turner, William 1775-1851. "Der Albaner See". Stahlstich von Robert Wallis nach einem Aquarell von Turner. Aus: The Keepsake for 1829, London 1828.

alb5109030 Smailholme Tower (Vignette), Print made by Edward Goodall, 17951870, British, after Joseph Mallord William Turner, 17751851, British, 1834, Line engraving; late state on medium, slightly textured, cream wove paper.

alb5089998 Rievaulx Abbey, Joseph C. Bentley, 18091851, British, after Joseph Mallord William Turner, 17751851, British, 1834-1836, Line engraving, Engraver's proof.

alb5084357 Sandy Knowe, or Smailholm Tower (Vignette), William Miller, 17961882, British, after Joseph Mallord William Turner, 17751851, British, 1851, Etching and engraving.

akg170812 Turner, Willam 1775-1851. "Cologne", 1817. Watercolour and paint, 19.5 × 30.5cm. Private collection. Author: William Turner.

akg385834 Turner, William ; 1775-1851. "Snow Storm : Hannibal and his Army crossing the Alps" (Tempête de neige : Hannibal et son armée franchissant les Alpes), 1812. Huile sur toile, H. 1,460 ; L. 2,375. Londres, Tate Britain. Museum: London, Tate Britain.

akg170810 Turner, William. 1775-1851. "The Junction of the Lahn", 1817. Watercolour and opaque colours, 19.6 × 31.4 cm. Private collection.

akg170844 Turner, William. 1775-1851. "Mainz", 1817. Watercolour and opaque colours, 19 × 31.1 cm. Mainz, State Museum. Museum: Mainz, Mittelrheinisches Landesmuseum.

akg1014181 Turner, William, 1775-1851, British painter. "Sun Setting over a Lake", 1840. Oil paint on canvas, 91.1 x 122.6 cm. London, Tate Britain. Museum: London, Tate Britain.

alb5102511 The Alps at Daybreak, Edward Alfred Goodall, 18191908, British, after Joseph Mallord William Turner, 17751851, British, 1834, Line engraving, engraver's proof on moderately thick, moderately textured, cream, wove paper, with gray, chine colle, Sheet: 14 3/8 × 9 inches (36.5 × 22.9 cm), Plate: 11 7/16 × 6 1/16 inches (29.1 × 15.4 cm), Chine collé: 11 3/16 × 5 3/4 inches (28.4 × 14.6 cm), and Image: 3 1/4 × 3 1/2 inches (8.3 × 8.9 cm).

alb5102108 Catania, Sicily, Print made by Joseph Mallord William Turner, 17751851, British, after Joseph Mallord William Turner, 17751851, British, ca. 1825, Mezzotint, printed in black-brown ink, touched in graphite and white chalk, trial proof, Plate: 7 5/8 x 9 15/16 in. (19.3 x 25.2 cm).

alb5102134 Lago Maggiore, W. R. Smith, active 18191851, after Joseph Mallord William Turner, 17751851, British, 1828, Open etching on moderately thick, slightly textured, beige, wove paper, with beige, chine colle, Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm), Plate: 6 1/16 × 8 9/16 inches (15.4 × 21.7 cm), Chine collé: 5 13/16 × 8 1/4 inches (14.8 × 21 cm), and Image: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm).

alb5105324 Valombre, Edward Alfred Goodall, 18191908, British, after Joseph Mallord William Turner, 17751851, British, 1834, Line engraving, engraver's proof on thick, slightly textured, cream, wove paper, with gray, chine colle, Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm), Plate: 11 3/8 × 6 inches (28.9 × 15.2 cm), Chine collé: 11 3/16 × 5 1/2 inches (28.4 × 14 cm), and Image: 4 1/2 × 3 inches (11.4 × 7.6 cm).

alb5105530 Loch Lomond, Print made by James Heath, 17571834, British, after Joseph Mallord William Turner, 17751851, British, P Brookes, active 1747, British, 1805, Line engraving, first published state.

alb5102820 Crossing the Brook, Print made by unknown artist, nineteenth century, after print by William Richardson, active 18421877, British, Formerly attributed to Robert Brandard, 18051862, British, after Joseph Mallord William Turner, (?), 17751851, British, undated, Line engraving.

alb5108995 Fonthill House in Wiltshire, the Seat of William beckford Efq, Print made by William Angus, 17521821, British, after Joseph Mallord William Turner, 17751851, British, Published by William Angus, 17521821, British, 1800, Etching and line engraving on medium, slightly textured, cream wove paper, Sheet: 6 × 7 3/4 inches (15.2 × 19.7 cm) and Image: 5 1/8 × 7 3/8 inches (13 × 18.7 cm).

alb5102669 Columbus Setting Sail, Edward Alfred Goodall, 18191908, British, after Joseph Mallord William Turner, 17751851, British, 1834, Line engraving on thick, slightly textured, cream, wove paper, with gray, chine colle, Sheet: 17 1/8 × 11 11/16 inches (43.5 × 29.7 cm), Plate: 11 1/4 × 6 inches (28.6 × 15.2 cm), Chine collé: 11 1/16 × 5 3/4 inches (28.1 × 14.6 cm), and Image: 3 × 3 1/2 inches (7.6 × 8.9 cm).

alb5105697 Chain of Alps from Grenoble to Chamberi, Etched by Joseph Mallord William Turner, 17751851, British, Engraved by William Say, 17681834, British, after Joseph Mallord William Turner, 17751851, British, 1812, Etching and mezzotint, printed in brown ink Engraver's proof (c) on medium, slightly textured, beige wove paper, Sheet: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), Image: 7 × 10 1/4 inches (17.8 × 26 cm), and Mount: 13 3/8 × 17 1/2 inches (34 × 44.5 cm).

alb5100599 Moss Dale Fall, Samuel Middiman, ca. 17501831, British, after Joseph Mallord William Turner, 17751851, British, 1822, Line engraving, engraver's proof on moderately thick, moderately textured, cream, wove paper, with cream, chine cholle, Sheet: 13 × 19 5/8 inches (33 × 49.8 cm), Plate: 11 3/8 × 16 5/8 inches (28.9 × 42.2 cm), Chine collé: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm), and Image: 7 1/2 × 10 9/16 inches (19.1 × 26.8 cm).

alb5108122 London from Greenwich, Etched by Joseph Mallord William Turner, 17751851, British, after Joseph Mallord William Turner, 17751851, British, 1811, Etching on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 14 3/4 inches (29.2 × 37.5 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 × 10 1/2 inches (17.8 × 26.7 cm).

alb5103854 Apuleia in Search of Apuleius, Etched by Joseph Mallord William Turner, 17751851, British, Engraved by William Say, 17681834, British, after Joseph Mallord William Turner, 17751851, British, between 1813 and 1823, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 3/8 × 10 5/8 inches (18.7 × 27 cm), arch, bridge, city, hill, landscape, literary theme, man, Metamorphoses, metamorphoses of male persons into trees, mountain, pillar, religious and mythological subject, river, rock, sheep, shepherdess, sitting, the Apulian shepherd changed into an oleaster: the Apulian shepherd changed into an oleaster as punishment for mocking dancing nymphs (Ovid, Metamorphoses XIV 521), tree, woman, woods.

alb5107531 The Sea The Sea (vignette), James T. Willmore, 18001863, British, after Joseph Mallord William Turner, 17751851, British, 1836, Line engraving, first published state on thick, slightly textured, beige, wove paper, with beige, chine colle, Sheet: 17 × 11 5/16 inches (43.2 × 28.7 cm), Plate: 8 1/2 × 6 1/8 inches (21.6 × 15.6 cm), Chine collé: 8 5/16 × 5 3/4 inches (21.1 × 14.6 cm), and Image: 5 × 3 3/4 inches (12.7 × 9.5 cm).

alb5103270 Rain, Steam and Speed, Myles Birket Foster, 18251899, British, after Joseph Mallord William Turner, 17751851, British, undated, Watercolor and gouache on medium, slightly textured, cream wove paper, Sheet: 2 1/4 × 5 inches (5.7 × 12.7 cm), architectural subject, bridge (built work), rain, speed, steam, train.

alb5108293 Warwick Castle, Warwickshire, Robert Wallis, 17941878, British, after Joseph Mallord William Turner, 17751851, British, 1827-1838, Open etching, architectural subject, bridge (built work), castle, landscape, river, Avon, England, United Kingdom, Warwick, Warwick Castle, Warwickshire.

alb5109539 Dumbarton Rock, Etched by Joseph Mallord William Turner, 17751851, British, Engraved by Thomas Goff Lupton, 17911873, British, after Joseph Mallord William Turner, 17751851, British, between 1813 and 1823, Etching and mezzotint, printed in brown ink Engraver's proof (e) on moderately thick, slightly textured, cream laid paper, Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm), Plate: 8 3/4 × 11 3/8 inches (22.2 × 28.9 cm), and Image: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm).

alb5101815 Glaucus and Scylla, Etched by Joseph Mallord William Turner, 17751851, British, Engraved by William Say, 17681834, British, after Joseph Mallord William Turner, 17751851, British, 1813 to 1823, Etching and mezzotint, printed in brown ink Modern Impression on medium, slightly textured, cream wove paper, Sheet: 13 1/8 × 16 5/8 inches (33.3 × 42.2 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 × 10 1/4 inches (17.8 × 26 cm), beach, cliffs, god, nymph, religious and mythological subject, rocks (landforms), sea, sun, trees.

alb5106027 Ehrenbreitstein, Robert Wallis, 17941878, British, after Joseph Mallord William Turner, 17751851, British, 1828, Line engraving, engraver's proof on thick, slightly textured, beige, wove paper, with gray, chine colle, Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm), Plate: 6 × 8 1/2 inches (15.2 × 21.6 cm), Chine collé: 5 13/16 × 8 3/16 inches (14.8 × 20.8 cm), and Image: 3 15/16 × 5 11/16 inches (10 × 14.4 cm).

alb5106011 A Tempest - Voyage of Columbus, Edward Alfred Goodall, 18191908, British, after Joseph Mallord William Turner, 17751851, British, 1834, Line engraving, engraver's proof on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, mounted on thick, smooth, white, wove paper, Mount: 17 5/8 × 12 1/16 inches (44.8 × 30.6 cm), Sheet: 14 9/16 × 9 3/16 inches (37 × 23.3 cm), Plate: 11 1/2 × 6 inches (29.2 × 15.2 cm), Chine collé: 11 3/16 × 5 11/16 inches (28.4 × 14.4 cm), and Image: 3 3/4 × 3 inches (9.5 × 7.6 cm).

alb5104154 Florence from the Chiesa al Monte, Edward Goodall, 17951870, British, after Joseph Mallord William Turner, 17751851, British, 1831, Line engraving, first published state on thick, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 11 5/8 × 17 3/16 inches (29.5 × 43.7 cm), Plate: 5 3/4 × 8 9/16 inches (14.6 × 21.7 cm), Chine collé: 5 1/4 × 8 5/16 inches (13.3 × 21.1 cm), and Image: 3 1/16 × 4 5/8 inches (7.8 × 11.7 cm).

alb5104144 Crowhurst, Print made by Joseph Mallord William Turner, 17751851, British, after Joseph Mallord William Turner, 17751851, British, between 1813 and 1823, Etching, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 11 3/8 × 14 7/8 inches (28.9 × 37.8 cm), Plate: 8 3/8 × 11 1/4 inches (21.3 × 28.6 cm), and Image: 7 3/8 × 10 1/2 inches (18.7 × 26.7 cm).

alb5104737 Richmond, Yorkshire, W. R. Smith, active 18191851, after Joseph Mallord William Turner, 17751851, British, 1819, Etching and line engraving on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm), Plate: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm), Chine collé: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm), and Image: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm).

alb5106166 Buckfastleigh Abbey, Devonshire, Robert Wallis, 17941878, British, after Joseph Mallord William Turner, 17751851, British, 1827, Line engraving, engraver's proof on thick, slightly textured, cream, wove paper, with beige, chine colle, Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm), Plate: 5 7/16 × 7 1/2 inches (13.8 × 19.1 cm), Chine collé: 5 1/4 × 7 1/4 inches (13.3 × 18.4 cm), and Image: 2 15/16 × 4 3/16 inches (7.5 × 10.6 cm).

alb5108365 The Temple of Jupiter in the Island of Aegina, Etched by Samuel Middiman, ca. 17501831, British, Engraved by John Pye, 17821874, British, after Joseph Mallord William Turner, 17751851, British, 1828, Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream laid paper, Sheet: 24 1/8 × 31 inches (61.3 × 78.7 cm), Plate: 20 3/8 × 26 1/2 inches (51.8 × 67.3 cm), and Image: 15 × 22 3/4 inches (38.1 × 57.8 cm).

alb5103772 Mercury and Herse, Print made by John Cousen, 18041880, British, after Joseph Mallord William Turner, 17751851, British, 1842, Etching; open etched state on thick, moderately textured, beige wove paper with cream chine-collé, Sheet: 32 × 24 inches (81.3 × 61 cm), Plate: 24 3/4 × 19 1/4 inches (62.9 × 48.9 cm), Chine collé: 24 3/8 × 18 5/8 inches (61.9 × 47.3 cm), and Image: 18 1/2 × 15 1/4 inches (47 × 38.7 cm), arches, bridges, men, religious and mythological subject, river, temple, trees, women.

alb5107893 An Old Manor House, William Miller, 17961882, British, after Joseph Mallord William Turner, 17751851, British, 1834, Line engraving on thick, slightly textured, cream, wove paper, with gray, chine colle, Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm), Plate: 11 5/8 × 6 1/4 inches (29.5 × 15.9 cm), Chine collé: 11 3/8 × 6 1/16 inches (28.9 × 15.4 cm), and Image: 3 3/4 × 3 1/2 inches (9.5 × 8.9 cm).

alb5102446 Aysgarth Force, John Scott, 17741828, British, after Joseph Mallord William Turner, 17751851, British, 1818-1823, Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 9 1/16 × 12 3/16 inches (23 × 31 cm) and Image: 7 9/16 × 10 7/8 inches (19.2 × 27.6 cm).

alb5104552 A View of Oxford from the Abingdon Road, Print made by John Pye, 17821874, British, Figures by Charles Heath, 17851848, British, after Joseph Mallord William Turner, 17751851, British, Published by James Wyatt, active 18111834, British, 1818, Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé, Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm), Plate: 20 × 25 3/4 inches (50.8 × 65.4 cm), Chine collé: 19 1/4 × 25 1/4 inches (48.9 × 64.1 cm), and Image: 15 7/8 × 23 3/4 inches (40.3 × 60.3 cm).

alb5099848 Dustanborough Castle, Edward Swinburne, 17651847, after Joseph Mallord William Turner, 17751851, British, undated, Watercolor over graphite with scraping-out on medium, slightly textured, cream laid paper mounted to thick, slightly textured, beige card, Sheet: 12 1/4 × 16 7/8 inches (31.1 × 42.9 cm), architectural subject, beach, boats, castle, cliffs, marine art, rocks (landforms), sea, seashores, ships, shores (landforms), waves.

alb5096748 Solitude, Etched by Joseph Mallord William Turner, 17751851, British, after Joseph Mallord William Turner, 17751851, British, 1814, Etching on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 × 10 1/8 inches (17.8 × 25.7 cm).

alb5095670 Gibraltar, Print made by Edward Francis Finden, 17911857, British, drawn by Joseph Mallord William Turner, 17751851, British, after sketch by George Philip Reinagle, ca.18021835, British, 1832-1834, Line engraving 1st published state on moderately thick, moderately textured, beige, wove paper, with gray chine colle, Sheet: 11 3/4 × 16 13/16 inches (29.8 × 42.7 cm), Plate: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm), Chine collé: 6 7/16 × 8 7/8 inches (16.4 × 22.5 cm), and Image: 3 5/8 × 5 9/16 inches (9.2 × 14.1 cm).

alb5098790 A Village Fair, Edward Alfred Goodall, 18191908, British, after Joseph Mallord William Turner, 17751851, British, 1834, Line engraving on moderately thick, slightly textured, cream, wove paper, with gray, chine colle, Sheet: 16 15/16 × 11 7/8 inches (43 × 30.2 cm), Plate: 11 1/2 × 5 7/8 inches (29.2 × 14.9 cm), Chine collé: 11 1/8 × 5 5/8 inches (28.3 × 14.3 cm), and Image: 3 1/2 × 3 1/2 inches (8.9 × 8.9 cm).

alb5096296 Whitehaven, Cumberland, W. R. Smith, active 18191851, after Joseph Mallord William Turner, 17751851, British, 1837, Line engraving, 1st state on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 10 1/16 × 13 inches (25.6 × 33 cm), Chine collé: 9 3/4 × 12 5/8 inches (24.8 × 32.1 cm), and Image: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm).

alb5096250 The Deluge, Engraved by Joseph Mallord William Turner, 17751851, British, after Joseph Mallord William Turner, 17751851, British, between 1813 and 1823, Mezzotint; modern impression on moderately thick, slightly textured, cream wove paper, Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm), Plate: 8 7/8 × 11 3/4 inches (22.5 × 29.8 cm), and Image: 7 7/8 × 10 7/8 inches (20 × 27.6 cm), cave, cliff, death, destruction, dog, elephant (animal), flood, giraffe, horse, lightning, man, praying, rain, religious and mythological subject, storm, the flood and destruction of mankind ~ story of Noah (Genesis 7:10 - 8:17), tidal wave, tree, water, woman.

alb5098874 A View of Oxford from the Abingdon Road, Print made by John Pye, 17821874, British, Figures by Charles Heath, 17851848, British, after Joseph Mallord William Turner, 17751851, British, Published by James Wyatt, active 18111834, British, 1818, Etching; open etched state on moderately thick, slightly textured, cream wove paper with cream chine-collé, Sheet: 22 1/2 × 28 1/2 inches (57.2 × 72.4 cm), Plate: 20 × 25 7/8 inches (50.8 × 65.7 cm), Chine collé: 19 1/4 × 24 5/8 inches (48.9 × 62.5 cm), and Image: 11 × 23 3/4 inches (27.9 × 60.3 cm).

alb5099967 Florence, from the Chiesa al Monte, George Cooke, 17811834, British, after Joseph Mallord William Turner, 17751851, British, 1820, Etching and line engraving on medium, slightly textured, cream, wove paper, Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm), Plate: 9 × 12 inches (22.9 × 30.5 cm), and Image: 5 1/2 × 8 11/16 inches (14 × 22.1 cm), arch, basilica, bridge, building, cityscape, infant, kneeling, lute, man, mountain, priest, religious and mythological subject, river, sitting, staff, tower, tree, water, woman, Arno, Firenze, Firenze, Italia, Ponte Vecchio, San Miniato al Monte, Toscana.

alb5095830 Cortes and Pizarro, Edward Alfred Goodall, 18191908, British, after Joseph Mallord William Turner, 17751851, British, 1834, Open etching on moderately thick, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 11 7/8 × 8 5/16 inches (30.2 × 21.1 cm), Plate: 11 1/2 × 6 inches (29.2 × 15.2 cm), Chine collé: 11 1/8 × 5 13/16 inches (28.3 × 14.8 cm), and Image: 4 × 3 1/4 inches (10.2 × 8.3 cm).

alb5095947 Paestum, Print made by Joseph Mallord William Turner, 17751851, British, after Joseph Mallord William Turner, 17751851, British, ca. 1825, Mezzotint; engraver's proof (a), Sheet: 6 x 8 1/2in. (15.2 x 21.6cm).

alb5095912 Laugharne Castle, John Horsburgh, 17911869, British, after Joseph Mallord William Turner, 17751851, British, 1833, Line engraving, 1st state on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 9 5/16 × 11 7/8 inches (23.7 × 30.2 cm) and Image: 6 11/16 × 9 7/16 inches (17 × 24 cm).

alb5097617 The Alps at Daybreak, Edward Alfred Goodall, 18191908, British, after Joseph Mallord William Turner, 17751851, British, 1834, Etching and engraving on moderately thick, slightly textured, beige, wove paper, with gray, chine colle, Sheet: 11 7/8 × 8 9/16 inches (30.2 × 21.7 cm), Plate: 11 3/8 × 6 1/16 inches (28.9 × 15.4 cm), Chine collé: 11 1/4 × 5 3/4 inches (28.6 × 14.6 cm), and Image: 3 1/4 × 3 1/2 inches (8.3 × 8.9 cm).

alb5090440 Florence, from the Chiesa al Monte, George Cooke, 17811834, British, after Joseph Mallord William Turner, 17751851, British, 1820, Line engraving and etching, engraver's proof on moderately thick, slighlty textured, cream, wove paper, with cream, chine colle, Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm), Plate: 10 3/16 × 13 1/4 inches (25.9 × 33.7 cm), Chine collé: 9 7/8 × 12 1/2 inches (25.1 × 31.8 cm), and Image: 5 1/2 × 8 5/8 inches (14 × 21.9 cm), bridges, cityscape, crucifix, landscape, men, monks, mountains, nuns, procession, religious and mythological subject, staff, towers, trees, vegetation, walls, women.

alb5097779 Vesuvius from the Bay of Naples, Print made by Sir Frank Short, 18571945, British, after Joseph Mallord William Turner, 17751851, British, Published by Robert Dunthorne, active 18811930, British, 1895, Mezzotint, trial proof on medium, slightly textured, cream wove paper, Sheet: 13 7/8 × 20 3/8 inches (35.2 × 51.8 cm), Plate: 11 3/8 × 17 3/4 inches (28.9 × 45.1 cm), and Image: 10 3/8 × 17 1/8 inches (26.4 × 43.5 cm).

alb5099068 Richmond Hill, Edward Goodall, 17951870, British, after Joseph Mallord William Turner, 17751851, British, 1826, Line engraving on medium, slightly textured, cream, wove paper, with beige, chine colle, Sheet: 7 5/16 × 9 1/2 inches (18.6 × 24.1 cm), Plate: 4 1/2 × 6 7/16 inches (11.4 × 16.4 cm), Chine collé: 4 5/16 × 6 5/16 inches (11 × 16 cm), and Image: 2 3/4 × 4 7/16 inches (7 × 11.3 cm).

alb5099702 Rochester, Print made by James Walker, 17481808, British, Print made by James S. Storer, 17711853, British, after Joseph Mallord William Turner, 17751851, British, 1794, Line engraving on medium, slighty textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm), Plate: 6 × 8 inches (15.2 × 20.3 cm), and Image: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm), agriculture, anchor, arch, boat, bridge, cane, castle, cathedral, church, city, clouds, distant view, field, hill, keep, landscape, man, marine art, Norman, river, spire, stone, tower, tree, water, woman, England, Kent, River Medway, Rochester, Rochester Castle, Rochester Cathedral, United Kingdom.

alb5096636 Weymouth, Dorset, William Bernard Cooke, 17781855, British, after Joseph Mallord William Turner, 17751851, British, 1813, Etching and engraving. on thick, slightly textured, cream, wove paper, with Chine collé, Sheet: 14 7/8 × 19 5/16 inches (37.8 × 49.1 cm), Plate: 9 7/16 × 12 9/16 inches (24 × 31.9 cm), Chine collé: 8 13/16 × 12 inches (22.4 × 30.5 cm), and Image: 5 13/16 × 8 3/4 inches (14.8 × 22.2 cm).

alb5111362 The Deluge, Print made by J. P. Quilley, active 1828, after Joseph Mallord William Turner, 17751851, British, Printed by James Lahee, active 1801ca.1852, British, Published by Moon, Boys & Graves, ca. 18121892, British, 1828, Mezzotint; first published state on medium, slightly textured, cream laid paper, Plate: 17 7/8 × 24 1/2 inches (45.4 × 62.2 cm) and Image: 14 7/8 × 22 1/2 inches (37.8 × 57.2 cm), clouds, deluge, drowning, fear, moon, moon, Noah's ark, Old Testament, people, raft, reflections, religious and mythological subject, serpents, swelling, trunks, waves, tidal.

alb5110844 Harewood House, Print made by John Scott, 17741828, British, after Joseph Mallord William Turner, 17751851, British, Published by Robinson, Son & Holdsworth, active 18131816, British, 1816-1820, Etching, published state.

alb5112021 Lago Maggiore, W. R. Smith, active 18191851, after Joseph Mallord William Turner, 17751851, British, 1828-1837, Line engraving, first published state on medium, smooth, cream, wove paper, with cream, chine colle, Sheet: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm), Plate: 6 × 8 1/2 inches (15.2 × 21.6 cm), Chine collé: 5 3/4 × 8 1/16 inches (14.6 × 20.5 cm), and Image: 3 1/2 × 5 3/16 inches (8.9 × 13.2 cm).